| Issue | Title | |
| Vol 3, No 1: Special Bulletin | "It Is Impossible That All This Should Be Lost": Victorian Narrative in Joseph Conrad's Heart of Darkness | Abstract PDF |
| Kayla Walker Edin (Southern Methodist University) | ||
| Vol 3, No 2: Winter 2011 | 'She Had Her Role to Play': The Performance of Servanthood in East Lynne and Other Sensation Novels | Abstract PDF |
| Elizabeth Steere (University of Georgia) | ||
| Vol 3, No 2: Winter 2011 | 'The Usual Palm Tree': Lovers in the Conservatory on the Late Victorian Stage | Abstract PDF |
| Anjna Chouhan (School of English, University of Leicester) | ||
| Vol 3, No 2: Winter 2011 | 'We Are All Actors in the Pantomime of Life': Charles Dickens and the Memoirs of Joseph Grimaldi | Abstract PDF |
| Jonathan Buckmaster (Royal Holloway, University of London) | ||
| Vol 1, No 1: Summer 2009 | Victorian Network: Guest Editor's Introduction | Abstract PDF |
| Muireann Ó Cinnéide (University of Galway) | ||
| Vol 1, No 1: Summer 2009 | Aristocracy for the Common People: Chinese Commodities In Oscar Wilde’s Aestheticism | Abstract PDF |
| Qi Chen (Royal Holloway, University of London) | ||
| Vol 2, No 1: Summer 2010 | Beauty as a Terministic Screen in Charles Darwin's The Descent of Man | Abstract PDF |
| Kate Holterhoff (Carnegie Mellon University) | ||
| Vol 3, No 1: Special Bulletin | Crossing the Line: Affinities Before and After 1900 | Abstract PDF |
| Regenia Gagnier (University of Exeter) | ||
| Vol 3, No 1: Special Bulletin | Faithful Infidelity: Charles Ricketts' Illustrations for Two of Oscar Wilde's Poems in Prose | Abstract PDF |
| Jeremiah Romano Mercurio (University of St Andrews) | ||
| Vol 1, No 1: Summer 2009 | Georgiana Molloy, Jane Porter and the Significance of Exploration Narratives for New Beginnings in a Strange Land | Abstract PDF |
| Peta Beasley (University of Western Australia) | ||
| Vol 1, No 1: Summer 2009 | Inoculation and Empire: Cigarette's healing power in Ouida's Under Two Flags | Abstract PDF |
| J. Stephen Addcox (University of Florida) | ||
| Vol 2, No 1: Summer 2010 | Introduction: Victorian Literature and Science | Abstract PDF |
| Ian Henderson (King's College London) | ||
| Vol 3, No 1: Special Bulletin | Literature and the Ecological Imagination: Richard Jefferies and D. H. Lawrence | Abstract PDF |
| Rebecca Welshman (University of Exeter) | ||
| Vol 3, No 1: Special Bulletin | On Lines and Their Crossing: Reflections on the Conference Closing Session | Abstract PDF |
| Mark Llewellyn (University of Strathclyde) | ||
| Vol 3, No 2: Winter 2011 | Phonograph, Shorthand, Typewriter: High Performance Technologies in Bram Stoker's Dracula | Abstract PDF |
| Leanne Page (English and Film Studies, University of Alberta) | ||
| Vol 1, No 1: Summer 2009 | Spectral Economies at the Anglo-African Margin: Bertram Mitford’s Predatory Politics of Consumption | Abstract PDF |
| Jane Ford (University of Liverpool) | ||
| Vol 2, No 1: Summer 2010 | Tennyson's Progressive Geology | Abstract PDF |
| E. E. Snyder (University of Sheffield) | ||
| Vol 2, No 1: Summer 2010 | The 'Emerson Museum' and the Darwin Exhibit: Observation, Classification and Display in the Early Works of Ralph Waldo Emerson and Charles Darwin | Abstract PDF |
| Lauren F. Klein (The Graduate Center, City University of New York) | ||
| Vol 2, No 1: Summer 2010 | The Aesthete as a Scientist: Walter Pater and Nineteenth-Century Science | Abstract PDF |
| Kanarakis Yannis (Aristotle University of Thessaloniki) | ||
| Vol 3, No 2: Winter 2011 | The Performance of Privacy: Dandyism in W.M. Thackeray's Pendennis | Abstract PDF |
| Alice Crossley (University of Leeds) | ||
| Vol 3, No 2: Winter 2011 | Theatricality and Performance in Victorian Literature and Culture | Abstract PDF |
| Beth Palmer (University of Surrey) | ||
| Vol 1, No 1: Summer 2009 | Vampiric Discourse in Emily Brontë’s Wuthering Heights | Abstract PDF |
| Gillian Nelson | ||
| Vol 3, No 1: Special Bulletin | Walter Pater — Imagism — Objectivist Verse | Abstract PDF |
| Richard Parker (University of Sussex) | ||
| Vol 2, No 1: Summer 2010 | Where 'Things Go The Other Way': The Stereochemistry of Lewis Carroll's Looking-Glass World | Abstract PDF |
| Joanna Shawn Brigid O'Leary (Rice University) | ||
| Vol 1, No 1: Summer 2009 | Working for the Empire: Professions of Masculinity in H. G. Wells's The Time Machine and R. L. Stevenson's The Strange Case of Dr Jekyll and Mr Hyde | Abstract PDF |
| Theresa Jamieson (University of Hull) | ||
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