Browse Title Index


 
Issue Title
 
Vol 3, No 2: Winter 2011 'She Had Her Role to Play': The Performance of Servanthood in East Lynne and Other Sensation Novels Abstract   PDF
Elizabeth Steere (University of Georgia)
 
Vol 3, No 2: Winter 2011 'The Usual Palm Tree': Lovers in the Conservatory on the Late Victorian Stage Abstract   PDF
Anjna Chouhan (School of English, University of Leicester)
 
Vol 3, No 2: Winter 2011 'We Are All Actors in the Pantomime of Life': Charles Dickens and the Memoirs of Joseph Grimaldi Abstract   PDF
Jonathan Buckmaster (Royal Holloway, University of London)
 
Vol 7, No 1: Summer 2016 A Cultural History of the Senses in the Age of Empire, Vol. 5, ed. Constance Classen (Bloomsbury, 2014) Details   PDF
Ian Middlebrook (Edge Hill University)
 
Vol 8: Winter 2018 Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts, eds. Anna Maria Jones & Rebecca N. Mitchell (Athens, Ohio: Ohio University Press, 2017) Abstract   PDF
Shannon Scott (University of St. Thomas)
 
Vol 8: Winter 2018 Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War, by Elizabeth Prettejohn (London: Yale University Press, 2017) Abstract   PDF
Tessa Kilgarriff (University of Bristol)
 
Vol 8: Winter 2018 Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery, by Joseph Bristow and Rebecca N. Mitchell (London: Yale University Press, 2015) Abstract   PDF
Anhiti Patnaik (Birla Institute of Technology and Science, Pilani)
 
Vol 7, No 1: Summer 2016 Popular Fiction and Brain Science in the Late Nineteenth Century, by Anne Stiles (Cambridge, 2011) Details   PDF
Arden Hegele (Columbia University)
 
Vol 8: Winter 2018 The Jane and Bertha in Me, by Rita Maria Martinez (Aldrich Press, 2016) Abstract   PDF
Louise Willis (King’s College London)
 
Vol 7, No 1: Summer 2016 The Poet’s Mind: The Psychology of Victorian Poetry 1830-1870, by Gregory Tate (Oxford, 2012) Details   PDF
Benjamin Westwood (Wadham College, University of Oxford)
 
Vol 7, No 1: Summer 2016 Theatre and Evolution from Ibsen to Beckett, by Kirsten Shepherd-Barr (Columbia, 2015) Details   PDF
Katharina Herold (Pembroke College, University of Oxford)
 
Vol 7, No 1: Summer 2016 Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination, by Suzanne Keen (Ohio State, 2014) Details   PDF
Nicole Lobdell (Georgia Institute of Technology)
 
Vol 1, No 1: Summer 2009 Victorian Network: Guest Editor's Introduction Abstract   PDF
Muireann Ó Cinnéide (University of Galway)
 
Vol 5, No 1: Summer 2013 Amazons, Science And Common Sense: The Rule of Women in Elizabeth Corbett’s New Amazonia Abstract   PDF
Christina Lake (University of Exeter)
 
Vol 1, No 1: Summer 2009 Aristocracy for the Common People: Chinese Commodities In Oscar Wilde’s Aestheticism Abstract   PDF
Qi Chen (Royal Holloway, University of London)
 
Vol 6, No 1: Summer 2015 Articulating Victorian Body Parts: The Conference Abstract   PDF
Beatrice Bazell, Emma Curry (Birkbeck College, University of London)
 
Vol 5, No 2: Winter 2013 ‘Horred Murders’, ‘Int’resting Partic’lars’ and ‘Confessions!’: Constructing Criminal Identites in the Early Victorian Broadside Abstract   PDF
Cécile Bertrand (Université Paris Diderot – Paris 7)
 
Vol 8: Winter 2018 ‘I am born’: Writing Corporate Personhood in Victorian It-narratives Abstract   PDF
Jakob Gaardbo Nielsen (Aarhus University, Denmark)
 
Vol 4, No 2: Winter 2012 ‘I Think I Must Be an Improper Woman Without Knowing It’: Fallenness and Unitarianism in Elizabeth Gaskell’s Ruth Abstract   PDF
Rachel Webster (University of Leeds)
 
Vol 4, No 2: Winter 2012 ‘So Pure and Rational an Attachment’: Isabella Glyn’s Performance of Social and Sexual Risk at Sadler’s Wells Abstract   PDF
Jem Bloomfield (University of Nottingham)
 
Vol 7, No 1: Summer 2016 ‘The Apotheosis of Voice’: Mesmerism as Mechanisation in George Du Maurier’s Trilby Abstract   PDF
Kristie A. Schlauraff (Cornell University)
 
Vol 5, No 1: Summer 2013 ‘The World Was Very Busy Now, In Sooth, And Had A Lot To Say’: Dickens, China And Chinese Commodities In Dombey And Son Abstract   PDF
Hannah Lewis-Bill (University of Exeter)
 
Vol 5, No 1: Summer 2013 ‘Visual Education’ As The Alternative Mode Of Learning At The Crystal Palace, Sydenham Abstract   PDF
Grazia Zaffuto (Independent Scholar)
 
Vol 4, No 1: Summer 2012 “I Carve the Marble of Pure Thought”: Work and Production in the Poetry of Arthur O’Shaughnessy Abstract   PDF
Jordan Kistler (King’s College London)
 
Vol 6, No 1: Summer 2015 “This Little Action”: The Feminine Manner of Touching in Elizabeth Gaskell’s Wives and Daughters Abstract   PDF
Molly Livingstone (Georgia State University, Atlanta)
 
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