Browse Title Index


 
Issue Title
 
Vol 4, No 2: Winter 2012 Madness in Marriage: Erotomania and Marital Rape in He Knew He Was Right and The Forsyte Saga Abstract   PDF
Helen Goodman (Royal Holloway, University of London)
 
Vol 6, No 1: Summer 2015 Melting Bodies: The Dissolution of Bodily Boundaries in Milton and Swinburne Abstract   PDF
Laura Fox Gill (University of Sussex)
 
Vol 6, No 2: Winter 2015 Neo-Victorian Dirt and Decomposition Abstract   PDF
Nicola Kirkby (King’s College London)
 
Vol 6, No 1: Summer 2015 Now You See It: Concealing and Revealing Pregnant Bodies in Wuthering Heights and The Clever Woman of the Family Abstract   PDF
Livia Arndal Woods (CUNY Graduate Center)
 
Vol 3, No 1: Special Bulletin On Lines and Their Crossing: Reflections on the Conference Closing Session Abstract   PDF
Mark Llewellyn (University of Strathclyde)
 
Vol 4, No 2: Winter 2012 Pederasty and Sexual Activity in Oscar Wilde’s The Happy Prince and Other Tales Abstract   PDF
Chris Bartle (University of Leeds)
 
Vol 3, No 2: Winter 2011 Phonograph, Shorthand, Typewriter: High Performance Technologies in Bram Stoker's Dracula Abstract   PDF
Leanne Page (English and Film Studies, University of Alberta)
 
Vol 5, No 2: Winter 2013 Reformative Sympathy in Nineteenth-Century Crime Fiction Abstract   PDF
Erica McCrystal (St. John’s University, New York)
 
Vol 6, No 2: Winter 2015 Review: Dirty Old London: The Victorian Fight Against Filth, by Lee Jackson (Yale, 2014) Abstract   PDF
Sarah Ross (Johns Hopkins University)
 
Vol 6, No 2: Winter 2015 Review: Exploring Victorian Travel Literature: Disease, Race and Climate by Jessica Howell (Edinburgh, 2014) Abstract   PDF
Katie E. Wetzel (University of Iowa)
 
Vol 6, No 2: Winter 2015 Review: Postal Pleasures: Sex, Scandal, and Victorian Letters by Kate Thomas (Oxford, 2012) Abstract   PDF
Karin Koehler (University of St Andrews)
 
Vol 6, No 2: Winter 2015 Review: Women, Literature, and the Domesticated Landscape: England’s Disciples of Flora, 1780–1870 by Judith W. Page & Elise L. Smith (Cambridge, 2011) Abstract   PDF
Tara Puri (University of Warwick)
 
Vol 1, No 1: Summer 2009 Spectral Economies at the Anglo-African Margin: Bertram Mitford’s Predatory Politics of Consumption Abstract   PDF
Jane Ford (University of Liverpool)
 
Vol 4, No 1: Summer 2012 Sugar and Spice and All Things Nice: The Victorian Woman’s All-Consuming Predicament Abstract   PDF
Lisa Coar (University of Leicester)
 
Vol 4, No 1: Summer 2012 Technologies of Desire: Typists, Telegraphists and Their Machines in Bram Stoker’s Dracula and Henry James’s In the Cage Abstract   PDF
Laura James (SUNY Stony Brook, NY, USA)
 
Vol 2, No 1: Summer 2010 Tennyson's Progressive Geology Abstract   PDF
E. E. Snyder (University of Sheffield)
 
Vol 2, No 1: Summer 2010 The 'Emerson Museum' and the Darwin Exhibit: Observation, Classification and Display in the Early Works of Ralph Waldo Emerson and Charles Darwin Abstract   PDF
Lauren F. Klein (The Graduate Center, City University of New York)
 
Vol 2, No 1: Summer 2010 The Aesthete as a Scientist: Walter Pater and Nineteenth-Century Science Abstract   PDF
Kanarakis Yannis (Aristotle University of Thessaloniki)
 
Vol 8: Winter 2018 The Bank Nun’s Tale: Financial Forgery, Gothic Imagery, and Economic Power Abstract   PDF
Rebecca Nesvet (University of Wisconsin, Green Bay, USA)
 
Vol 6, No 1: Summer 2015 The Body Abstract   PDF
Pamela K. Gilbert (University of Florida)
 
Vol 8: Winter 2018 The Doctor-Coquette Nexus in Middlemarch, Villette, and The Woodlanders Abstract   PDF
Emma Rayner (Victoria University of Wellington, New Zealand)
 
Vol 6, No 1: Summer 2015 The Farming Body in Thomas Hardy’s Far From the Madding Crowd Abstract   PDF
Sanghee Lee (Binghamton University, State University of New York)
 
Vol 5, No 2: Winter 2013 The Female Witness and the Melodramatic Mode in Elizabeth Gaskell’s Mary Barton Abstract   PDF
Alison Moulds (Birkbeck, University of London)
 
Vol 7, No 1: Summer 2016 The Hand and the Mind, the Man and the Monster Abstract   PDF
Kimberly Cox (Chadron State College)
 
Vol 3, No 2: Winter 2011 The Performance of Privacy: Dandyism in W.M. Thackeray's Pendennis Abstract   PDF
Alice Crossley (University of Leeds)
 
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